-
-
|
Introduction to Luther’s Ninety-Five Theses
This article appeared in Ad Fontes Vol II, Issue 2. Excerpted from Davenant’s forthcoming Reformation Theology volume. Few documents in Christian history have become as iconic as Martin Luther’s Ninety-five Theses, the ringing denunciation of the corruptions of the late medieval church that was to spark the Protestant Reformation. Luther may or may not have…
-
|
Purified by a Principle? Augustine’s Conversion of Neo-Platonism
In City of God 10.24, as part of his analysis of and argument with Platonism and Neoplatonism, Augustine takes up the question of mediation–who mediates, and how–questions of some moment in previous and contemporary Platonist demonology, which made use of several levels of divine or semi-divine intermediaries in order to bridge the gap between the…
-
|
Carolinas Convivium Recap
Brent King reflects on an engaging weekend of fellowship and learning at Davenant House.
-
|
Latin Hymns Reformed
Everyone knows that the Reformation opened the floodgates of German songwriting, transforming the hymn into communal song. No less astonishing, but much less remembered, is the early Lutherans’ tireless work at writing an entirely new corpus of Latin hymns.
-
|
A Century of Latin Bibles: c. 1550–1650
Some of us may have been disappointed to see only Lutherans among the hymn-writers which we recently sampled. But fear not, Reformed readers, because Latin culture flourished in early Reformed circles as well.
-
|
Best Reads of 2019
We asked a handful of our staff and Davenant Fellows what books they particularly enjoyed reading over this past year.
-
|
“Strategy” in the Culture Wars (Part 2 of 3)
One way of reading the story of civilization is to read it as a story of divine pedagogy. This can be overstated at the expense of other truths and metrics of reality, but (as such) it is both a biblical notion (Gal. 3-4) and a thickly treated theme in the history of the Christian church.…
-
|
“Strategy” in the Culture Wars (Part 3 of 3)
Uniting modern persons is no religion or creed or political vision, but rather the world of film and literature. These get to us beneath our discursive reasoning. Whatever creed or critic you follow, you probably like Johnny Cash, The Wire, and To Kill a Mockingbird.